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A monoglove with a Y-shaped harness configuration.

Armbinder is a loose term designating a range of restraint devices primarily used in bondage play (rather than law enforcement, medicine, or psychiatry), their common function being to bind the arms and/or hands to each other or to the body, usually behind the back, and employing a range of bondage equipment including cuffs, rods, straps, and gloves.

Armbinders and Monogloves are often confused as being one and the same, but rather the Armbinder is a term used to describe a range or collection of similar binding equipment (see external link) and the Monoglove is but one type of Armbinder.


[edit] Single Glove Sheath

A common form of Armbinder consists of a sheath, roughly conical, that encloses both of the wearer's arms, holding them together behind the back, combined with one of various harness arrangements to hold it in place. The sheath itself typically covers the arms from the fingertips to above the elbows, and is closed and tightened with a zipper, lacing, or both; the sheath is frequently supplemented with straps around the wrists and the elbows or upper arms. The sheath alone is ineffective without a harness to keep it from slipping down the arms; the most common harness is a pair of straps that join to the outer top of the sheath, run over the shoulders and under the armpits, and join again at the inner top of the sheath. The straps are usually crossed, behind the neck or across the upper chest, to prevent the straps from slipping off the shoulders. The latter position can cause problems if the straps tend to ride up and press on the wearer's throat.

[edit] Cuffs, Rods & Straps

Another form of armbinder consists of the use of cuffs and straps to hold the arms to the side of the body, or in front or back of the body. A series of cuffs, which can be made from various material such as leather or metal, are placed on the arms at various points such as the wrists and elbows. These cuffs are then linked together with a webbing of straps, or a series of rods, to hold the arms in a particular position. To improve strength, as well as ease of use, all the cuffs and straps are typically linked together, hence why the complete piece of equipment is considered an armbinder. Another form uses a single rod, with the cuffs attached at regular distances down its length, and sometimes also including a collar at the top to hold the rod in place.

[edit] Monoglove Variation

Image shows reduced circulation in arms due to tightness.

While various forms of Armbinder are marketed as a "Monoglove", this term is more correctly used to describe the form of Armbinder often depicted in the Bondage artwork of John Willie. Unlike most commercially available Armbinders that are very baggy and not particularly form fitting, John Willie's images showed a leather glove that contoured to the exact shape and size of the arms behind the back, with the elbows always touching together, and the shoulders pulled back. The result was a very slick single arm in a glove look, hence the term "Monoglove". In reality, such Monogloves are very hard to find that fit perfectly, and are also very difficult to wear for any prolonged periods of time due to the harshness of the position. John Willie's artwork often depicted unrealistic or impossible bondage positions and equipment, however a Monoglove very similar was once manufactured by Ron Brandt.

The John Willie style of Monoglove used a different method of securing the shoulder straps across the chest; a Y-shaped yoke that runs up the back, forks over the shoulders, and runs under the armpits; and a strap running up the back to a collar around the neck. The fingertip end of the monoglove was frequently provided with a D-ring, allowing the bound arms to be anchored into a hogtie or strappado position, or to be strapped to the front of a waist belt (forcing the hands into the crotch).

[edit] Construction Materials

Monogloves are usually made of leather, though other fetish materials, such as spandex or rubber, are common; monogloves of denim, camouflage twill, reinforced satin, and other strong fabrics exist.

[edit] Safety Issues & Visual Appeal

Because of the extreme position into which the arms are sometimes forced, many Armbinders, and especially monogloves, can cause problems with the soft tissues of the shoulder joints and with the circulation and innervation of the arms and hands. Only the most flexible people can wear them for any length of time[1]; thus they are more often used for dramatic or visual effect in bondage erotica than in actual BDSM play. But for those who are able to tolerate having their arms pressed so tightly together behind their back that their elbows touch or nearly touch, the evenly-distributed pressure of the monoglove maintains this extreme position with far less discomfort, and far less likelihood of injury, than do ropes. (For this property it was singled out for mention in the widely-read 1972 manual The Joy of Sex[2], well before the "mainstreaming" of BDSM imagery. A 1970 scholarly study[3] had already noted the great frequency with which this "appliance" figures in fetish literature and imagery, and pointed out its tendency to enhance the female figure.) Nevertheless, great caution should always be exercised when using one, to avoid dislocation of the shoulders and damage to nerves and blood vessels.

There are several variations on the basic monoglove design, including single sleeves ending at the wrists (allowing some freedom of movement for the wearer's hands), and those that are incorporated into a larger garment, such as a jacket, catsuit, or dress, taking the place of the garment's usual sleeves.

[edit] References

  1. ^ Miller, Philip; and Molly Devon (1995). "Of Humane Bondage". Screw the Roses, Send Me the Thorns: The Romance and Sexual Sorcery of Sadomasochism. Mystic Rose Books. pp. 129. ISBN 0-9645960-0-8. 
  2. ^ Comfort, Alex (1972). The joy of sex; a cordon bleu guide to lovemaking. Simon & Schuster. pp. 194 (s.v. harness). 
  3. ^ North, Maurice (1970). The outer fringe of sex; a study in sexual fetishism. Odyssey Press. pp. 79. 

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