The swastika in the decorative Hindu
The swastika was the official emblem of the Nazi Party
, and is sometimes used by modern Neo-Nazis
The swastika (Sanskrit: à¤¸à¥à¤µà¤¾à¤¸à¥à¤¤à¤¿à¤) is an equilateral cross with its arms bent at right angles, in either right-facing (Å) form or its mirrored left-facing (Å) form. Earliest archaeological evidence of swastika-shaped ornaments dates back to the Indus Valley Civilization of Pakistan as well as Classical Antiquity. It remains widely used in Eastern religions, specifically in Hinduism, Buddhism and Jainism.
Following a brief surge of popularity in Western culture, the swastika from the 1930s became strongly associated with its iconic usage by Nazi Germany, and it has hence become stigmatized and taboo in the Western world; it has notably been outlawed in Germany if used as a symbol of Nazism. Many modern political extremists and Neo-Nazi groups such as Afrikaner Weerstandsbeweging and Russian National Unity use stylised swastikas or similar symbols.
The word swastika is derived from the Sanskrit word svastika, meaning any lucky or auspicious object, and in particular a mark made on persons and things to denote good luck. It is composed of su- meaning "good, well" and asti "to be" svasti thus means "well-being." The suffix -ka either forms a diminutive or intensifies the verbal meaning, and svastika might thus be translated literally as "that which is associated with well-being," corresponding to "lucky charm" or "thing that is auspicious." The word in this sense is first used in the Harivamsa. As noted by Monier-Williams in his Sanskrit-English dictionary, according to Alexander Cunningham, its shape represents a monogram formed by interlacing of the letters of the auspicious words su-astÃ (svasti) written in Ashokan characters.
The Sanskrit term has been in use in English since 1871, replacing gammadion (from Greek î³î±î¼î¼î¬î´î¹î¿î½). Alternative historical English spellings of the Sanskrit word include suastika, swastica and svastica.
Other names for the shape are:
- crooked cross, hook cross or angled cross (German: Hakenkreuz).
- cross cramponned, ~nnÃ©e, or ~nny, in heraldry, as each arm resembles a crampon or angle-iron (German: WinkelmaÃkreuz).
- fylfot, chiefly in heraldry and architecture. The term is coined in the 19th century based on a misunderstanding of a Renaissance manuscript.
- gammadion, tetragammadion (Greek: ÏîÏÏî±î³î±î¼î¼î¬î´î¹î¿î½), or cross gammadion (Latin: crux gammata; French: croix gammÃ©e), as each arm resembles the Greek letter î (gamma).
- sun wheel, a name also used as a synonym for the sun cross.
- tetraskelion (Greek: ÏîµÏÏî±Ïîºîî»î¹î¿î½), literally meaning "four legged", especially when composed of four conjoined legs (compare triskelion (Greek: ÏÏî¹Ïîºîî»î¹î¿î½)).
- The Tibetan swastika (Å) is known as g-yung drung
The Buddhist sign has been standardised as a Chinese character Å (pinyin: wÃ n) and as such entered various other East Asian languages such as Japanese where the symbol is called ÅÅ (manji). The swastika is included as part of the Chinese script in the form of the character "È¬" (pinyin: wÃ n) and has Unicode encodings U+534D Å (left-facing) and U+5350 Å (right-facing). In Unicode 5.2, four swastika symbols were added to the Tibetan block: U+0FD5 à¿ (right-facing), U+0FD6 à¿ (left-facing), U+0FD7 à¿ (right-facing with dots) and U+0FD8 à¿ (left-facing with dots).
A right-facing swastika might be described as "clockwise" or "counter-clockwise".
Geometrically, the swastika can be regarded as an irregular icosagon or 20-sided polygon. The proportions of the Nazi swastika were fixed based on a 5 Ã 5 diagonal grid.
Characteristic is the 90â° rotational symmetry and chirality, hence the absence of reflectional symmetry, and the existence of two versions of swastikas that are each other's mirror image.
The mirror-image forms are often described as:
"Left-facing" and "right-facing" are used mostly consistently referring to the upper arm of an upright swastika facing either to the viewer's left (Å) or right (Å). The other two descriptions are ambiguous as it is unclear whether they refer to the arms as leading or being dragged or whether their bending is viewed outward or inward. However, "clockwise" usually refers to the "right-facing" swastika. The terms are used inconsistently (sometimes even by the same writer), which is confusing and may obfuscate an important point, that the rotation of the swastika may have symbolic relevance, although little is known about this symbolic relevance. Less ambiguous terms might be "clockwise-pointing" and "counterclockwise-pointing."
Nazi ensigns had a through and through image, so both versions were present, one on each side, but the Nazi flag on land was right-facing on both sides and at a 45â° rotation.
The name "sauwastika" is sometimes given to the left-facing form of the swastika (Å).
 Origin hypotheses
The ubiquity of the swastika symbol is easily explained by its being a very simple shape that will arise independently in any basket-weaving society. The swastika is a repeating design, created by the edges of the reeds in a square basket-weave. Other theories attempt to establish a connection via cultural diffusion or an explanation along the lines of Carl Jung's collective unconscious.
The genesis of the swastika symbol is often treated in conjunction with cross symbols in general, such as the "sun wheel" of Bronze Age religion. Beyond its certain presence in the "proto-writing" symbol systems emerging in the Neolithic, nothing certain is known about the symbol's origin. There are nevertheless a number of speculative hypotheses.
Carl Sagan in his book Comet (1985) reproduces Han period Chinese manuscript (the Book of Silk, 2nd century BC) that shows comet tail varieties: most are variations on simple comet tails, but the last shows the comet nucleus with four bent arms extending from it, recalling a swastika. Sagan suggests that in antiquity a comet could have approached so close to Earth that the jets of gas streaming from it, bent by the comet's rotation, became visible, leading to the adoption of the swastika as a symbol across the world. Inspired by Sagan, Bob Kobres in Comets and the Bronze Age Collapse (1992) contends that the swastika like comet on the Han Dynasty silk comet atlas was labeled a "long tailed pheasant star" (Di-Xing) because of its resemblance to a bird's foot. Kobres goes on to suggest an association of mythological birds and comets also outside China.
In Life's Other Secret (1999), Ian Stewart suggests the ubiquitous swastika pattern arises when parallel waves of neural activity sweep across the visual cortex during states of altered consciousness, producing a swirling swastika-like image, due to the way quadrants in the field of vision are mapped to opposite areas in the brain.
Alexander Cunningham and suggested that the Buddhist use of the shape arose from a combination of Brahmi characters abbreviating the words su astÃ.
 Archaeological record
The Samarra bowl, at the Pergamonmuseum
, Berlin. The swastika in the center of the design is a reconstruction.
The earliest consistent use of swastika motifs in the archaeological record date to the Neolithic. The symbol appears in the "Vinca script" of Neolithic Europe (6th to 5th millennium BC). Another early attestation is on a pottery bowl found at Samarra, dated to as early as 4000 BC. Joseph Campbell in an essay on The Neolithic-Paleolithic Contrast cites an ornament on a Late Paleolithic (10,000 BC) mammoth ivory bird figurine found near Kiev as the only known occurrence of such a symbol predating the Neolithic. 
The swastika appears only very rarely in the archaeology of ancient Mesopotamia. It is found on prehistoric pottery, of which the Samarra bowl is the oldest known example, and on a number of early seal impressions, but then disappears from the record for the remainder of the Near Eastern Bronze Age. In India, Bronze Age swastika symbols were found at Lothal and Harappa, on Indus Valley seals.
Swastikas have also been found on pottery in archaeological digs in Africa, in the area of Kush and on pottery at the Jebel Barkal temples, in Iron Age designs of the northern Caucasus (Koban culture), and in Neolithic China in the Majiabang, Dawenkou and Xiaoheyan cultures. Other Iron Age attestations of the swastika can be associated with Indo-European cultures such as the Indo-Iranians, Celts, Greeks and Germanic peoples and Slavs. The Tierwirbel (the German for "animal whorl" or "whirl of animals") is a characteristic motive in Bronze Age Central Asia, the Eurasian Steppe, and later also in Iron Age Scythian and European (Baltic and Germanic) culture, showing rotational symmetric arrangement of an animal motive, often four birds' heads. Even wider diffusion of this "Asiatic" theme has been proposed, to the Pacific and even North America (especially Moundville).
 Historical use in the East
The swastika is a historical sacred symbol in Indian religions. It rose to importance in Buddhism during the Mauryan Empire and in Hinduism with the decline of Buddhism in India during the Gupta Empire. With the spread of Buddhism, the Buddhist swastika reached Tibet and China. The symbol was also introduced to Balinese Hinduism by Hindu kings. The use of the swastika by the BÃ¶n faith of Tibet, as well as later syncretic religions, such as Cao Dai of Vietnam and Falun Gong of China, can also be traced to Buddhist influence.
Swastika on the doorstep of an apartment in Maharashtra
In Hinduism, the two symbols represent the two forms of the creator god Brahma: facing right it represents the evolution of the universe (Devanagari: à¤ªà¥à¤°à¤µà¥à¤¤à¥à¤¤à¤¿, Pravritti), facing left it represents the involution of the universe (Devanagari: à¤¨à¤¿à¤µà¥à¤¤à¥à¤¤à¤¿, Nivritti). The swastika is one of the 108 symbols of Hindu deity Vishnu and represents the Sun's rays, upon which life depends. It is also seen as pointing in all four directions (north, east, south and west) and thus signifies grounded stability. Its use as a Sun symbol can first be seen in its representation of the god Surya. The swastika is used in all Hindu yantras and religious designs,
Among the Hindus of Bengal, it is common to see the name "swastika" (Bengali: à¦¸à§à¦¬à¦¸à§à¦¤à¦¿à¦ sbastik) applied to a slightly different symbol, which has the same significance as the common swastika, and both symbols are used as auspicious signs. This symbol looks something like a stick figure of a human being. In the Bhavishya Purana, it is a weapon of a snake king (dragon), Takshak.
Buddhism originated in the 5th century BCE and spread throughout the Indian subcontinent in the 3rd century BCE (Maurya Empire).
The swastika symbol (right-hand) is alleged to have been stamped on Gautama Buddha's chest by his initiates after his death. It is known as The Heart's Seal. The swastika figures on the Pillars of Ashoka.
With the Silk Road transmission of Buddhism, the Buddhist swastika spread to Tibet and China.
Known as a "yung drung" in ancient Tibet, it was a graphical representation of eternity.
The paired swastika symbols are included, at least since the Liao Dynasty, as part of the Chinese language, the symbolic sign for the character È¬ or ä¸ (wÃ n in Mandarin, man in Korean, Cantonese and Japanese, váº¡n in Vietnamese) meaning "all" or "eternality" (lit. myriad) and as Å, which is seldom used. The swastika marks the beginning of many Buddhist scriptures. The swastika (in either orientation) appears on the chest of some statues of Gautama Buddha and is often incised on the soles of the feet of the Buddha in statuary.
Jainism gives even more prominence to the swastika than does Hinduism. It is a symbol of the seventh Jina (Saint), the Tirthankara Suparsva. In the Svetambar (Devanagari: à¤¶à¥à¤µà¥à¤¤à¤¾à¤®à¥à¤¬à¤°) Jain tradition, it is also one of the symbols of the ashta-mangalas. It is considered to be one of the 24 auspicious marks and the emblem of the seventh arhat of the present age. All Jain temples and holy books must contain the swastika and ceremonies typically begin and end with creating a swastika mark several times with rice around the altar.
Jains use rice to make a swastika (also known as "Saathiyo" or "Saathiya" in the state of Gujarat, India) in front of idols in a temple. Jains then put an offering on this swastika, usually a ripe or dried fruit, a sweet (Hindi: à¤®à¤¿à¤ à¤¾à¤, Mithai), or a coin or currency note.
 Other Asian traditions
Some sources indicate that during the Chinese Tang Dynasty, Empress Wu Zetian (684-704) decreed that the swastika would be used as an alternative symbol of the Sun.
The Mandarin "wan" is a homophone for the number 10,000 and is commonly used to represent the whole of Creation, e.g. 'the myriad things' in the Dao De Jing.
In Japan, the swastika is called manji. Since the Middle Ages, it has been used as a coat of arms by various Japanese families. On Japanese maps, a swastika (left-facing and horizontal) is used to mark the location of a Buddhist temple. The right-facing manji is often referred to as the gyaku manji (ÉÅ, lit. "reverse manji"), and can also be called kagi jÅ«ji (literally "hook cross").
In Chinese and Japanese art, the swastika is often found as part of a repeating pattern. One common pattern, called sayagata in Japanese, comprises left- and right-facing swastikas joined by lines. As the negative space between the lines has a distinctive shape, the sayagata pattern is sometimes called the "key fret" motif in English.
 Historical use in the West
In Bronze Age Europe, the "Sun cross" (a cross in a circle) appears frequently, often interpreted as a solar symbol. Swastika shapes have been found on numerous artifacts from Iron Age Europe (Greco-Roman, Illyrian, Etruscan, Baltic, Celtic, Germanic, Georgian Bordjgali and Slavic). This prehistoric use seems to be reflected in the appearance of the symbol in various folk cultures of Europe.
 Greco-Roman antiquity
Hands of God
, a symbol of early ethnic pre-Christian religions in central Europe
Ancient Greek architectural, clothing and coin designs are replete with single or interlinking swastika motifs. There are also found gold plate fibulae from the 8th century BC decorated with an engraved swastika. Related symbols in classical Western architecture include the cross, the three-legged triskele or triskelion and the rounded lauburu. The swastika symbol is also known in these contexts by a number of names, especially gammadion.
In Greco-Roman art and architecture, and in Romanesque and Gothic art in the West, isolated swastikas are relatively rare, and the swastika is more commonly found as a repeated element in a border or tessellation. The swastika often represented perpetual motion, reflecting the design of a rotating windmill or watermill. A meander of connected swastikas makes up the large band that surrounds the Augustan Ara Pacis. A design of interlocking swastikas is one of several tessellations on the floor of the cathedral of Amiens, France. A border of linked swastikas was a common Roman architectural motif, and can be seen in more recent buildings as a neoclassical element. A swastika border is one form of meander, and the individual swastikas in such a border are sometimes called Greek keys.
 Celtic antiquity
The bronze frontspiece of a ritual pre-Christian (ca 350-50 BC) shield found in the River Thames near Battersea Bridge (hence "Battersea Shield") is embossed with 27 swastikas in bronze and red enamel. An Ogham stone found in Anglish, Co Kerry (CIIC 141) was modified into an early Christian gravestone, and was decorated with a cross pattÃ©e and two swastikas. At the Northern edge of Ilkley Moor in West Yorkshire, there is a swastika-shaped pattern engraved in a stone known as the Swastika Stone.
 Germanic antiquity
The swastika shape (also called a fylfot) appears on various Germanic Migration Period and Viking Age artifacts, such as the 3rd century VÃ¦rlÃ¸se Fibula from Zealand, Denmark, the Gothic spearhead from Brest-Litovsk, Russia, the 9th century Snoldelev Stone from RamsÃ¸, Denmark, and numerous Migration Period bracteates drawn left-facing or right-facing.
A comb with a Swastika found in Nydam Mose
The pagan Anglo-Saxon ship burial at Sutton Hoo, England, contained numerous items bearing the swastika, now housed in the collection of the Cambridge Museum of Archaeology and Anthropology. The Swastika is clearly marked on a hilt and sword belt found at Bifrons in Kent, in a grave of about the 6th century.
Hilda Ellis Davidson theorized that the swastika symbol was associated with Thor, possibly representing his hammer Mjolnir - symbolic of thunder - and possibly being connected to the Bronze Age sun wheel. Davidson cites "many examples" of the swastika symbol from Anglo-Saxon graves of the pagan period, with particular prominence on cremation urns from the cemeteries of East Anglia. Some of the swastikas on the items, on display at the Cambridge Museum of Archaeology and Anthropology, are depicted with such care and art that, according to Davidson, it must have possessed special significance as a funerary symbol. The runic inscription on the 8th-century SÃ¦bÃ¸ sword has been taken as evidence of the swastika as a symbol of Thor in Norse paganism.
 Pre-Christian Europe and folk culture
The swastika is one of the most common symbols used throughout Baltic art. In Latvian the symbol is known as either Ugunskrusts, the "Fire cross" (rotating counter-clockwise), or Pärkonkrusts, the "Thunder cross" (rotating clock-wise), and was mainly associated with Pärkons, the god of Thunder and justice. It was also occasionally related to the Sun, as well as Dievs (the god of creation), Laima (the goddess of destiny and fate). The swastika is featured on many distaffs, dowry chests, cloths and other items. It is most intricately developed in woven belts.
The swastika shape was also present in pre-Christian Slavic mythology. It was dedicated to the sun god Svarog (Belarusian, Russian and Ukrainian Ğ¡Ğ²Ğ°ñĞ¾Ğ³) and called kolovrat, (Slovenian kolovrat, Bosnian kolovrat, Croatian kolovrat, Polish koÅowrÃ³t, Belarusian ĞºĞ¾Ğ»Ğ°ñžñĞ°ñ, Russian and Ukrainian ĞºĞ¾Ğ»Ğ¾Ğ²ñĞ°ñ or ĞºĞ¾Ğ»Ğ¾Ğ²Ğ¾ñĞ¾ñ, Serbian ĞºĞ¾Ğ»Ğ¾Ğ²ñĞ°ñ/kolovrat) or swarzyca. In early medieval Europe, the use of swastikas for decoration of pottery and other wares was most frequent in Slavic lands. It first appears within the context of Slavic artefacts in the lower Danube region (modern Wallachia and Moldavia) where early Slavs had contacts with Sarmatian peoples. This practice was then not merely adopted, but "transformed into a new, distinct quality of the symbolic culture of the Slavs."
For the Slavs the swastika is a magic sign manifesting the power and majesty of the sun and fire. It was usually called "The wheel of Svarog." It was often used as an ornament decorating ritualistic utensils of a cult cinerary urns with ashes of the dead. It was the symbol of power (the swastika seen on the coins of Mieszko I) both lay and divine, because it was often placed on altars in pagan temples.
At the start of the Renaissance, swastika ornaments disappeared from utensils but swastika continued being used by Slavs. It became a popular ornament on Easter eggs and in wayside shrines in folk culture. This ornament still existed in 1940-50.
An object very much like a hammer or a double axe is depicted among the magical symbols on the drums of Sami shamans, used in their religious ceremonies before Christianity was established. The name of the Lappish thunder god was Horagalles, thought to be derived from "Old Man Thor" (ÃžÃ³rr karl'). Sometimes on the drums, a male figure with a hammer-like object in either hand is shown, and sometimes it is more like a cross with crooked ends, or a swastika.
Variation of tursaansydÃ¤n
In Finland the swastika was often used in traditional folk art products, as a decoration or magical symbol on textiles and wood. Certain types of symbols which incorporated the swastika were used to decorate wood; such symbols are called tursaansydÃ¤n and mursunsydÃ¤n in Finnish. TursaansydÃ¤n was often used until 18th century, when it was mostly replaced by a simple swastika. It was also, from the first years of its existence to the end of the Second World War, the roundel of the Finnish Air Force.
 Medieval and early modern Europe
A mandala-like meditative image from the Kabbalistic
work "Parashat Eliezer"
The swastika mark on the tower of Armenian fortress Ani
(10th century AD)
In Christianity, the swastika is used as a hooked version of the Christian Cross, the symbol of Christ's victory over death. Some Christian churches built in the Romanesque and Gothic eras are decorated with swastikas, carrying over earlier Roman designs. Swastikas are prominently displayed in a mosaic in the St. Sophia church of Kiev, Ukraine dating from the 12th century. They also appear as a repeating ornamental motif on a tomb in the Basilica of St. Ambrose in Milan. A proposed direct link between it and a swastika floor mosaic in the Cathedral of Our Lady of Amiens, which was built on top of a pagan site at Amiens, France in the 13th century, is considered unlikely. The stole worn by a priest in the 1445 painting of the Seven Sacraments by Roger van der Weyden presents the swastika form simply as one way of depicting the cross. Swastikas also appear on the vestments on the effigy of Bishop William Edington (d. 1366) in Winchester Cathedral.
In the Polish First Republic the symbol of the swastika was also popular with the nobility. According to chronicles, the Rus' prince Oleg, who in the 9th century attacked Constantinople, nailed his shield (which had a large red swastika painted on it) to the city's gates. Several noble houses, e.g. Boreyko, Borzym, and Radziechowski from Ruthenia, also had Swastikas as their coat of arms. The family reached its greatness in the 14th and 15th centuries and its crest can be seen in many heraldry books produced at that time. The Swastika was also a heraldic symbol, for example on the Boreyko coat of arms, used by noblemen in Poland and Ukraine. In the 19th century the swastika was one of the Russian empire's symbols; it was even placed in coins as a background to the Russian eagle.
An unusual swastika, composed of the Hebrew letters Aleph and Resh, appears in the 18th century Kabbalistic work "Parashat Eliezer" by Rabbi Eliezer Fischl of Strizhov, a commentary on the obscure ancient eschatological book "Karnayim", ascribed to Rabbi Aharon of Kardina. The symbol is enclosed by a circle and surrounded by a cyclic hymn in Aramaic. The hymn, which refers explicitly to the power of the Sun, as well as the shape of the symbol, shows strong solar symbolism. According to the book, this mandala-like symbol is meant to help a mystic to contemplate on the cyclic nature and structure of the Universe. The letters are the initial and final characters of the Hebrew word, ××ö¹×¨, or "light".
Freemasons also gave the swastika symbol importance. In medieval Northern European Runic Script, a counter-clockwise swastika denotes the letter 'G,' and could stand for the important Freemason terms God, Great Architect of the Universe, or Geometry.
 Native American traditions
The swastika shape was used by some Native Americans. It has been found in excavations of Mississippian-era sites in the Ohio and Mississippi River valleys. It is frequently used as a motif on objects associated with the Southeastern Ceremonial Complex(S.E.C.C.). It was also widely used by many southwestern tribes, most notably the Navajo. Among various tribes, the swastika carried different meanings. To the Hopi it represented the wandering Hopi clan; to the Navajo it was one symbol for a whirling log (tsil no'oli'), a sacred image representing a legend that was used in healing rituals (after learning of the Nazi association, the Navajo discontinued use of the symbol). A brightly colored First Nations saddle featuring swastika designs is on display at the Royal Saskatchewan Museum in Canada.
A swastika shape is a symbol in the culture of the Kuna people of Kuna Yala, Panama. In Kuna tradition, it symbolizes the octopus that created the world; its tentacles, pointing to the four cardinal points.
In February, 1925, the Kuna revolted vigorously against Panamanian suppression of their culture, and assumed autonomy in 1930; the flag they adopted at that time is based on the swastika shape, and remains the official flag of Kuna Yala. A number of variations on the flag have been used over the years: red top and bottom bands instead of orange were previously used, and in 1942 a ring (representing the traditional Kuna nose-ring) was added to the center of the flag to distance it from the symbol of the Nazi party.
 Western use in the early 20th century
In the Western world, the symbol experienced a resurgence following the archaeological work in the late 19th century of Heinrich Schliemann, who discovered the symbol in the site of ancient Troy and associated it with the ancient migrations of Proto-Indo-Europeans. He connected it with similar shapes found on ancient pots in Germany, and theorized that the swastika was a "significant religious symbol of our remote ancestors", linking Germanic, Greek and Indo-Iranian cultures. By the early 20th century, it was used worldwide and was regarded as a symbol of good luck and success.
The work of Schliemann soon became intertwined with the vÃ¶lkisch movements, for which the swastika was a symbol of the "Aryan race", a concept that came to be equated by theorists such as Alfred Rosenberg with a Nordic master race originating in northern Europe. Since its adoption by the National Socialist German Worker's Party of Adolf Hitler, the swastika has been associated with Nazism, fascism, racism (white supremacy), the Axis powers in World War II, and the Holocaust in much of the West. The swastika remains a core symbol of Neo-Nazi groups, and is used regularly by activist groups to signify their opinion of supposed Nazi-like behavior of organizations and individuals they oppose.
The swastikas on the Finnish Order of the White Rose designed in 1918 by Akseli Gallen-Kallela remained in use until 1963. The Finnish Order of the Cross of Liberty and the Flag of the President of Finland still show a swastika design: the Cross of Liberty.
The Benedictine choir school at Lambach Abbey, Upper Austria, which Hitler attended for several months as a boy, had a swastika chiseled into the monastery portal and also the wall above the spring grotto in the courtyard by 1868. Their origin was the personal coat of arms of Abbot Theoderich Hagn of the monastery in Lambach, which bore a golden swastika with slanted points on a blue field. The Lambach swastika is probably of Medieval origin. The Lambach depiction, in the Hindu style, did not inspire Hitler to use the symbol, as the Nazi Party's use of it stems from the Thule Society and previous occult societies.
Carlsberg's Elephant Tower
The Danish brewery company Carlsberg Group used the swastika as a logo from the 19th Century until the middle of the 1930s when it was discontinued because of association with the Nazi Party in neighbouring Germany. However, the swastika carved on elephants at the entrance gates of the company's headquarters in Copenhagen in 1901 can still be seen today.
 As the symbol of Nazism
Since World War II, the swastika is often associated with the flag of Nazi Germany
and the Nazi Party
in the Western world
. Prior to this association, swastikas were used throughout the western world.
In the wake of widespread popular usage, the Nazi Party (Nationalsozialistische Deutsche Arbeiterpartei or NSDAP) formally adopted the swastika (in German: Hakenkreuz (hook-cross)) in 1920. This was used on the party's flag (right), badge, and armband. It had also been used unofficially by its predecessor, the German Workers Party, Deutsche Arbeiterpartei (DAP).
In his 1925 work Mein Kampf, Adolf Hitler wrote that:
I myself, meanwhile, after innumerable attempts, had laid down a final form; a flag with a red background, a white disk, and a black swastika in the middle. After long trials I also found a definite proportion between the size of the flag and the size of the white disk, as well as the shape and thickness of the swastika.
When Hitler created a flag for the Nazi Party, he sought to incorporate both the swastika and "those revered colors expressive of our homage to the glorious past and which once brought so much honor to the German nation." (Red, white, and black were the colors of the flag of the old German Empire.) He also stated: "As National Socialists, we see our program in our flag. In red, we see the social idea of the movement; in white, the nationalistic idea; in the swastika, the mission of the struggle for the victory of the Aryan man, and, by the same token, the victory of the idea of creative work."
The swastika was also understood as "the symbol of the creating, acting life" (das Symbol des schaffenden, wirkenden Lebens) and as "race emblem of Germanism" (Rasseabzeichen des Germanentums).
The use of the swastika was associated by Nazi theorists with their conjecture of Aryan cultural descent of the German people. Following the Nordicist version of the Aryan invasion theory, the Nazis claimed that the early Aryans of India, from whose Vedic tradition the swastika sprang, were the prototypical white invaders. The concept of racial purity was an ideology central to Nazism, though it is now considered unscientific. For Alfred Rosenberg, the Aryans of India were both a model to be imitated and a warning of the dangers of the spiritual and racial "confusion" that, he believed, arose from the close proximity of races. Thus, they saw fit to co-opt the sign as a symbol of the Aryan master race. The use of the swastika as a symbol of the Aryan race dates back to writings of Emile Burnouf. Following many other writers, the German nationalist poet Guido von List believed it to be a uniquely Aryan symbol. Before the Nazis, the swastika was already in use as a symbol of German vÃ¶lkisch nationalist movements (VÃ¶lkische Bewegung). In Deutschland Erwache (ISBN 0-912138-69-6), Ulric of England (sic) says:
[...] what inspired Hitler to use the swastika as a symbol for the NSDAP was its use by the Thule Society (German: Thule-Gesellschaft) since there were many connections between them and the DAP ... from 1919 until the summer of 1921 Hitler used the special Nationalsozialistische library of Dr. Friedrich Krohn, a very active member of the Thule-Gesellschaft ... Dr. Krohn was also the dentist from Sternberg who was named by Hitler in Mein Kampf as the designer of a flag very similar to one that Hitler designed in 1920 ... during the summer of 1920, the first party flag was shown at Lake Tegernsee ... these home-made ... early flags were not preserved, the Ortsgruppe MÃ¼nchen (Munich Local Group) flag was generally regarded as the first flag of the Party.
JosÃ© Manuel Erbez says:
The first time the swastika was used with an "Aryan" meaning was on December 25, 1907, when the self-named Order of the New Templars, a secret society founded by [Adolf Joseph] Lanz von Liebenfels, hoisted at Werfenstein Castle (Austria) a yellow flag with a swastika and four fleurs-de-lys.
However, Liebenfels was drawing on an already established use of the symbol. On March 14, 1933, shortly after Hitler's appointment as Chancellor of Germany, the NSDAP flag was hoisted alongside Germany's national colors. It was adopted as the sole national flag on September 15, 1935 (see Nazi Germany).
The swastika was used for badges and flags throughout Nazi Germany, particularly for government and military organizations, but also for "popular" organizations such as the Reichsbund Deutsche JÃ¤gerschaft (German Hunting Society).
While the DAP and the NSDAP had used both right-facing and left-facing swastikas, the right-facing swastika was used consistently from 1920 onwards. However, Ralf Stelter notes that the swastika flag used on land had a right-facing swastika on both sides, while the ensign (naval flag) had it printed through so that a left-facing swastika would be seen when looking at the ensign with the flagpole to the right.
Several variants are found:
- a 45â° black swastika on a white disc as in the NSDAP and national flags;
- a 45â° black swastika on a white lozenge (e.g., Hitler Youth);
- a 45â° black swastika with a white outline was painted on the tail of aircraft of the Luftwaffe;
- a 45â° black swastika outlined by thin white and black lines on a white disc (e.g., the German War Ensign);
- an upright black swastika outlined by thin white and black lines on a white disc (e.g., Personal standard of Adolf Hitler in which a gold wreath encircles the swastika; the Schutzstaffel; and the Reichsdienstflagge, in which a black circle encircles the swastika);
- small gold, silver, black, or white 45â° swastikas, often lying on or being held by an eagle, on many badges and flags.
Divisional insignia of 11.SS-Freiwilligen-Panzergrenadier-Division Nordland
There were attempts to amalgamate Nazi and Hindu use of the swastika, notably by the French writer Savitri Devi who declared Hitler an avatar of Vishnu (see Nazi mysticism).
The swastika is seen on binders of pre-Nazi era publications of works by Rudyard Kipling. Both left and right orientations were used.
 Post-WWII stigmatization in Western countries
Because of its use by Nazi Germany, the swastika since the 1930s has been largely associated with Nazism and white supremacy in most of the Western countries. As a result, all of its use, or its use as a Nazi or hate symbol is prohibited in some jurisdictions. Because of the stigma attached to the symbol, many buildings that have contained the symbol as decoration have had the symbol removed. Steven Heller, of the School of Visual Arts, has argued that from the moment it was "misappropriated" by the Nazis, it became a mark and weapon of hate, and could not be redeemed.
The German (and Austrian) postwar criminal code makes the public showing of the Hakenkreuz (the swastika) and other Nazi symbols illegal and punishable, except for scholarly reasons. It is even censored from the lithographs on boxes of model kits, and the decals that come in the box. Modellers seeking an accurate rendition often have to either stencil on the marking, or purchase separate decals. It is also censored from the reprints of 1930s railway timetables published by the Reichsbahn. The eagle remains, but appears to be holding a solid black circle between its talons. The swastikas on Hindu and Jain temples are exempt, as religious symbols cannot be banned in Germany.
A German fashion company was investigated for using traditional British-made folded leather buttons after complaints that they resembled swastikas. In response, Esprit destroyed two hundred thousand catalogues.
A controversy was stirred by the decision of several police departments to begin inquiries against anti-fascists. In late 2005 police raided the offices of the punk rock label and mail order store "Nix Gut Records" and confiscated merchandise depicting crossed-out swastikas and fists smashing swastikas. In 2006 the Stade police department started an inquiry against anti-fascist youths using a placard depicting a person dumping a swastika into a trashcan. The placard was displayed in opposition to the campaign of right-wing nationalist parties for local elections.
On Friday, March 17, 2006, a member of the Bundestag Claudia Roth reported herself to the German police for displaying a crossed-out swastika in multiple demonstrations against Neo-Nazis, and subsequently got the Bundestag to suspend her immunity from prosecution. She intended to show the absurdity of charging anti-fascists with using fascist symbols: "We don't need prosecution of non-violent young people engaging against right-wing extremism." On March 15, 2007, the Federal Court of Justice of Germany (Bundesgerichtshof) reversed the charge, holding that the crossed-out symbols were "clearly directed against a revival of national-socialist endeavors", thereby settling the dispute for the future. 
 European Union
The European Union's Executive Commission proposed a European Union-wide anti-racism law in 2001, but European Union states failed to agree on the balance between prohibiting racism and freedom of expression. An attempt to ban the swastika across the EU in early 2005 failed after objections from the British Government and others. In early 2007, while Germany held the European Union presidency, Berlin proposed that the European Union should follow German Criminal Law and criminalize the denial of the Holocaust and the display of Nazi symbols including the swastika, which is based on the Ban on the Symbols of Unconstitutional Organisations Act. This led to an opposition campaign by Hindu groups across Europe against a ban on the swastika. They pointed out that the swastika has been around for 5,000 years as a symbol of peace. The proposal to ban the swastika was dropped by Berlin from the proposed European Union wide anti-racism laws on January 29, 2007.
 Legislation in other European countries
- In Hungary, it is a criminal misdemeanour to publicly display "totalitarian symbols", including the swastika, the SS insignia and the Arrow Cross, punishable by fine. Display for academic, educational, artistic or journalistic reasons is allowed. Note that the communist symbols of hammer and sickle and the red star are also regarded as a totalitarian symbols and have the same restriction by Hungarian criminal law.
- In Poland, public display of Nazi symbols, including the Nazi swastika, is a criminal offence punishable by up to eight years of imprisonment.
 Latin America
- The use of the swastika or any Nazi symbol, their manufacture, distribution or broadcasting, with the intent to propagate Nazism is a crime in Brazil as dictated by article 20, paragraph 1, of federal statute 7.716, passed in 1989. The penalty is a two to five years prison term and a fine.
- The flag of the Kuna Yala autonomous territory of Panama is based on a swastika design. In 1942 a ring was added to the centre of the flag to differentiate it from the symbol of the Nazi party (this version subsequently fell into disuse).
In 2010, Microsoft officially spoke out against the use of the swastika in the first person shooter Call of Duty: Black Ops. In Black ops, players are allowed to customize their name tags to represent, essentially, whatever they want. The Swastika is available for use, but Stephen Toulouse, director of Xbox Live policy and enforcement, stated that players with the symbol on their name tag will be banned from Xbox Live.
 Satirical use
A book featuring "120 Funny Swastika Cartoons" was published in 2008 by New York Cartoonist Sam Gross. The author said he created the cartoons in response to excessive news coverage given to swastika vandals, that his intent "...is to reduce the swastika to something humorous."
The powerful symbolism acquired by the swastika has often been used in graphic design and propaganda as a means of drawing Nazi comparisons; examples include the cover of Stuart Eizenstat's 2003 book Imperfect Justice, publicity materials for Costa-Gavras's 2002 film Amen, and a billboard that was erected opposite the U.S. Interests Section in Havana, Cuba, in 2004, which juxtaposed images of the Abu Ghraib torture and prisoner abuse pictures with a swastika.
 Controversies over pre-1930 designs
Some European emblems or designs that predate 1930 have become the subject of controversies or misunderstandings.
Flag of the Finnish Air Force
Presidential Standard of Finland
The Finnish Air Force continues to use a swastika as their emblem, originally introduced in 1918. The president of Finland is the grand master of the Order of the White Rose. According to the protocol, the president shall wear the Cross of Liberty with Chains on formal occasions. The original design of the chains, decorated with swastikas, dates from 1918 by the artist Akseli Gallen-Kallela. The Grand Cross with Chains has been awarded 11 times to foreign heads of state. To avoid misunderstandings, the swastika decorations were replaced by fir-crosses at the decision of President Kekkonen in 1963 after Charles De Gaulle indicated he would refuse the award if it carried swastikas. Also a design by Gallen-Kallela of 1918, the Cross of Liberty has a swastika pattern in its arms. The Cross of Liberty is depicted in the upper left corner of the standard of the President of Finland.
In December 2007, a silver replica of the WWII Finnish air defences relief ring decorated with swastika became available as a part of a charity campaign. The original war-time idea was that the public swap their precious metal rings for the State air defences relief ring, made of iron.
A traditional symbol that incorporates a swastika, the tursaansydÃ¤n, is used by scouts in some instances and a student organization. The village of Tursa uses the tursaansydÃ¤n as a kind of a certificate of authenticity of products made there. Traditional textiles are still being made with swastikas as a part of traditional ornaments.
Eimskip (founded in 1914), a major import/export company in Iceland once used the swastika as their company logo. Although they have since replaced their logo, the swastika remained on their old headquarters, located in downtown ReykjavÃk. As tourism to the country grew, it often became a subject of misunderstanding when foreign tourists targeted the building as a place of Nazi support and antisemitism. When the Radisson SAS hotel franchise bought the building, the company was banned from destroying the symbol since the building was on the list of historical sites in Iceland. A compromise was made when the company was allowed to cover the symbol with the numbers 1919 which was the year when the building was erected.
The Swastika Laundry was a laundry founded in 1912, located on Shelbourne Road, Ballsbridge, a district of Dublin, Ireland. In the fifties Heinrich BÃ¶ll came across a van belonging to the company while he was staying in Ireland, leading to some awkward moments before he could realize the company was older than Nazism and totally unrelated to it. The chimney of the boiler-house of the laundry still stands, but the laundry has been redeveloped.
 Controversies over Asian products
In recent years, controversy has erupted when consumer goods bearing the symbol have been exported (often unintentionally) to North America.
When a ten-year-old boy in Lynbrook, New York bought a set of PokÃ©mon cards imported from Japan in 1999, his parents complained after finding that two of the cards contained the Manji symbol which is the mirror image of the Nazi swastika. This also caused a lot of concern amongst fans from Jewish communities. Nintendo of America announced that the cards would be discontinued, explaining that what was acceptable in one culture was not necessarily so in another; their action was welcomed by the Anti-Defamation League who recognised that there was no intention to be offensive but said that international commerce meant that "isolating [the Swastika] in Asia would just create more problems."
In 2002, Christmas crackers containing plastic toy pandas sporting swastikas were pulled from shelves after complaints from consumers in Canada. The manufacturer, based in China, explained the symbol was presented in a traditional sense and not as a reference to the Nazis, and apologized to the customers for the cross-cultural mixup. In 2007, Spanish fashion chain Zara withdrew a handbag from its stores after a customer in Britain complained swastikas were embroidered on it. The bags were made by a supplier in India and inspired by commonly used Hindu symbols, which include the swastika.
 Contemporary use in Asia
 South Asia
Jain - Five Coloured Flag
In the Indosphere (South Asia, Greater India), the swastika remains ubiquitous as a symbol of wealth and good fortune. In India and Nepal, electoral ballot papers are stamped with a round swastika-like pattern (to ensure that the accidental ink imprint on the other side of a folded ballot paper can be correctly identified as such). Many businesses and other organisations, such as the Ahmedabad Stock Exchange and the Nepal Chamber of Commerce, use the swastika in their logos. The red swastika was suggested as an emblem of International Red Cross and Red Crescent Movement in India and Sri Lanka, but the idea was not implemented. Swastikas can be found practically everywhere in Indian and Nepalese cities, on buses, buildings, auto-rickshaws, and clothing.
 East Asia
Japanese maps continue to use the swastika symbol to denote a Buddhist temple.
In Korea, maps also use the swastika symbol to denote a temple. The swastika is also a very common sight at both rural and urban Buddhist Temples.
 Central Asia
In 2005, authorities in Tajikistan called for the widespread adoption of the swastika as a national symbol. President Emomali Rahmonov declared the swastika an Aryan symbol and 2006 to be "the year of Aryan culture," which would be a time to "study and popularize Aryan contributions to the history of the world civilization, raise a new generation (of Tajiks) with the spirit of national self-determination, and develop deeper ties with other ethnicities and cultures."
 New religious movements
Besides the use as a religious symbol in Buddhism, Hinduism and Jainism, which can be traced to pre-modern traditions, the swastika is also used by a number of new religious movements established in the modern period.
- The Theosophical Society uses a swastika as part of its seal, along with an Aum, a hexagram, a star of David, an Ankh and an Ouroboros. Unlike the much more recent RaÃ«lian movement (see below), the Theosophical Society symbol has been free from controversy, and the seal is still used. The current seal also includes the text "There is no religion higher than truth."
- The RaÃ«lian Movement, who believe that Extra-Terrestrials originally created all life on earth, use a symbol that is often the source of considerable controversy: an interlaced star of David and a swastika. The Raelians state that the Star of David represents infinity in space whereas the swastika represents infinity in time i.e. there being no beginning and no end in time, and everything being cyclic. In 1991, the symbol was changed to remove the swastika, out of respect to the victims of the Holocaust, but as of 2007 has been restored to its original form.
- The Tantra-based new religious movement Ananda Marga (Devanagari: à¤à¤¨à¤¨à¥à¤¦ à¤®à¤¾à¤°à¥à¤, meaning Path of Bliss) uses a motif similar to the RaÃ«lians, but in their case the apparent star of David is defined as intersecting triangles with no specific reference to Jewish culture.
- The Falun Gong qigong movement uses a symbol that features a large swastika surrounded by four smaller (and rounded) ones, interspersed with yin-and-yang symbols. The usage is taken from traditional Chinese symbolism, and here alludes to a chakra-like portion of the esoteric human anatomy, located in the stomach.
- The Odinic Rite claims the "fylfot" as a "holy symbol of Odinism," citing the pre-Christian Germanic use of the symbol.
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